Early Georgian oil portrait attributed to Jeremiah Davison, depicting James Douglas, Lord Aberdour, later 14th Earl of Morton, with an open book
Early Georgian oil portrait attributed to Jeremiah Davison, depicting Agatha Halyburton, beside a flowering orange tree, holding a sprig of orange blossom
ATTRIBUTED TO JEREMIAH DAVISON (c.1695–1745)

Portrait of James Douglas, Lord Aberdour, later 14th Earl of Morton (1702–1768), with books
c.1730-1735
ATTRIBUTED TO JEREMIAH DAVISON (c.1695–1745)

Portrait of a Lady, Agatha Halyburton, later Countess of Morton (baptised 1711–1748), with an orange tree and blossom
c.1730-1735


AVAILABLE WORKS

Seventeenth-century portrait of Sarah Bodvile c.1660, Studio of Peter Lely. In a magnificent carved gilt frame with Earl’s coronet; formerly at Adlington Hall
Studio of Sir Peter Lely (1618–1680)

Portrait of Sarah Bodvile (c.1640–1720), later Countess of Radnor
c.1660

Circle of Charles Jervas (c.1675-1739)
Portrait of Elizabeth Rooper, later Lady Dryden in a Vivid Blue Mantle, Exceptional Carved Frame
c.1725-1730
Seventeenth-century English portrait of a lady in a black dress with red satin sleeves, pearls and landscape beyond, circle of Sir Peter Lely.
Three-quarter-length oil portrait of Lady Elizabeth Shirley (1678–1740), shown in a silver-white gown beside a marble table with crimson drapery
Circle of Sir Godfrey Kneller (1646–1723)

Portrait of Lady Elizabeth Shirley (1678–1740), later Mrs Walter Clarges
c.1705-10
18th-century portrait of Marc de Beauvau-Craon in armour, after Hyacinthe Rigaud, with crimson drapery, white sash and plumed helmet.
After Hyacinthe Rigaud (1659-1743)

Portrait of Marc de Beauvau-Craon, Prince of Craon (1679–1754)
18th Century
Restoration portrait of a lady, possibly Elizabeth Percy, Studio of Sir Peter Lely, shown in a grey satin dress with pearls beside a classical bust.
Studio of Sir Peter Lely (1618–1680)

Portrait of a Lady, possibly Elizabeth Percy, Countess of Essex (1636–1718)
c.1660-1665
Seventeenth-century English portrait of a lady in a black dress with red satin sleeves, pearls and landscape beyond, circle of Sir Peter Lely.
Circle of Sir Peter Lely (1618-1680)

Portrait of a Lady, in a Black Dress with Red Satin Sleeves and Pearls
c.1660–1680
Seventeenth-century English portrait of a lady in a black dress with red satin sleeves, pearls and landscape beyond, circle of Sir Peter Lely.
Studio of Sir Godfrey Kneller (1646–1723)

Portrait of Prince George of Denmark, Duke of Cumberland (1653–1708)
c.1690–1695
Anglo-Flemish oil portrait of King Charles I in armour, probably c.1670–1720, after Sir Anthony van Dyck. Charles is shown in polished steel armour
Mid eighteenth-century portrait of a lady in a white silk dress with lace and blue ribbon bows, attributed to Henry Pickering, in a Rococo gilt frame.
Anglo-Flemish School, after Sir Anthony van Dyck (1599–1641)

Portrait of King Charles I (1600–1649), in Armour
probably c.1670–1720
Attributed to Henry Pickering (fl. c.1740–1771)

Portrait of a Lady in a Silk Dress with Bows
c.1745–1755
Follower of Pierre Mignard portrait of Philadelphia Parker, later Mrs Stephen Piper, c.1690–1695, oil on panel, shown in the French court-beauty tradition
Follower of Pierre Mignard (1612-1695)

Portrait of Philadelphia Parker, later Mrs Stephen Piper (1674-1737)
c.1690-1695
Portrait of a gentleman attributed to Thomas Murray, shown bust-length with full periwig, white cravat and blue cloak, within a carved gilt frame.
Late seventeenth-century portrait of a gentleman attributed to Constantyn Netscher, shown in a blue coat with gold tassels, lace jabot and silk drapery.
Attributed to Constantyn Netscher (c.1668-c.1723)

Portrait of a Gentleman by a Curtain
c.1695
Attributed to Thomas Murray (1663–1734)

Portrait of a Gentleman with a Blue Cloak
c.1695-1710
Portrait of Lady Diana Bruce, Circle of Sir Peter Lely, shown in a blue Restoration dress with slashed sleeves, pearl necklace and hair ornaments.
Circle of Sir Peter Lely (1616-1680)

Portrait of Lady Diana Bruce
c.1660-1670
French portrait of a gentleman attributed to Joseph Vivien, shown in ceremonial armour with azure cloak, diamond brooch and long curled wig in a gilt oval frame
Early Georgian portrait of a young lady attributed to Jeremiah Davison, shown in pale silk dress with crimson drapery, within a carved gilt oval frame.
Late 18th century portrait of Grand Duke Pavel Petrovich, After Alexander Roslin, shown in a red coat, blue sash, white cravat and powdered wig.
After Alexander Roslin (1718–1793)

Portrait of Grand Duke Pavel Petrovich (1754–1801), later Emperor Paul I of Russia
c.1780
Attributed to Joseph Vivienne (1657-1735)

Portrait of a Gentleman in Armour
c.1700

Attributed to Jeremiah Davison (c. 1695–1745)

Portrait of a Young Lady
c.1730–1740

Pendant portraits of Sir John Wentworth and Mary, Lady Wentworth, attributed to Michael Dahl and Thomas Murray, both shown in blue dress and gilt frames.
Attributed to Michael Dahl (c.1659–1743) & Attributed to Thomas Murray (1663–1735)

Portrait of Sir John Wentworth, 1st Baronet, and Mary, Lady Wentworth née Lowther
c.1695–1705
Jacobean portrait of Lady Elizabeth Wheeler née Cole, attributed to Cornelius Johnson, shown in green and gold dress with white ruff and black hat.
Attributed to Cornelius Johnson (1593–1661)

Jacobean Portrait of Lady Elizabeth Wheeler
1623
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